Muitas Vozes
type: channel
description: A revista Muitas Vozes é uma publicação com periodicidade contínua do Programa de Pós-Graduação em Estudos da Linguagem, da Universidade Estadual de Ponta Grossa, que se constitui em um espaço de reflexão sobre questões de linguagem em suas múltiplas manifestações. Sua missão é divulgar resultados de pesquisas da área de Letras e Linguística, separadamente ou em interseção com áreas afins. E-ISSN: 2238-7196
publisher: Editora UEPG
language: en
publication name: Muitas Vozes
issn: 2238-7196
copyright: <p class="docData;DOCY;v5;11095;[binary]" style="text-align: justify; line-height: 150%; margin-top: 0pt; margin-bottom: 0pt; border: none; mso-border-left-alt: none; mso-border-top-alt: none; mso-border-right-alt: none; mso-border-bottom-alt: none; mso-border-between: none;">Autores que publicam nesta revista concordam com os seguintes termos: a) Os autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob a Creative Commons Attribution License Atribuição 4.0 Internacional (CC BY 4.0) que permite o compartilhamento do trabalho com reconhecimento da sua autoria e publicação inicial nesta revista. b) Os autores são autorizados a assinarem contratos adicionais, separadamente, para distribuição não exclusiva da versão publicada nesta revista (por exemplo, em repositórios institucionais ou capítulos de livros), com reconhecimento da sua autoria e publicação inicial nesta revista). c) Os autores são estimulados a publicar e distribuir a versão onlline do artigo (por exemplo, em repositórios institucionais ou em sua página pessoal), considerando que isso pode gerar alterações produtivas, bem como aumentar o impacto e as citações do artigo publicado. d) Esta revista proporciona acesso público a todo o seu conteúdo, uma vez que isso permite uma maior visibilidade e alcance dos artigos e resenhas publicados. Para maiores informações sobre esta abordagem, visite Public Knowledge Project, projeto que desenvolveu este sistema para melhorar a qualidade acadêmica e pública da pesquisa, distribuindo o OJS assim como outros softwares de apoio ao sistema de publicação de acesso público a fontes acadêmicas. e) Os nomes e endereços de e-mail neste site serão usados exclusivamente para os propósitos da revista, não estando disponíveis para outros fins. Esta obra está licenciado com uma Licença Creative Commons Atribuição 4.0 Internacional.
items: APRESENTAÇÃO - VOZES E RESISTÊNCIAS: DESVENDANDO IDEOLOGIAS DA LINGUAGEM E SUA ARTICULAÇÃO COM RAÇA, GÊNERO, SEXUALIDADE E CLASSE SOCIAL.
items: “I AM LIVING PROOF THAT IT WORKED”: ANALYSIS FROM A DIALOGIC PERSPECTIVE OF BOLSONARO’S SPEECH AT A PRESS CONFERENCE DURING THE PANDEMIC
items: DE HOME GIRLS A WORLD GIRLS - A CASA DENTRO DE SI
items: MASCULINIDADES NEGRAS HOMOSSEXUAIS EM NARRATIVAS AUTOBIOGRÁFICAS INTERSECCIONAIS
items: UMA ANÁLISE CRÍTICA DE LETRAS DE MÚSICAS FEMINISTAS
items: L2 LEARNING APPLICATIONS AND THE ECONOMY OF LANGUAGES:
items: GOVERNMENT DISCOURSES ON LAND DEMARCATION IN BRAZIL
items: EXPEDIENTE E APRESENTAÇÃO DO DOSSIÊ (VOLUME 12, 2023)
items: Expediente Muitas Vozes v.11
items: THE LYRIC STAINED GLASS OF “AS MÃES DA SÍRIA”. ISABEL AGUIAR AND THE TRACES OF THE OUTSIDE.
items: O CONCEITO DE VIVER ENTRE LÍNGUAS A PARTIR DE UMA ANÁLISE DA OBRA KOSMOFONIA: MBYÁ-GUARANI
items: A MEMÓRIA E O TEMPO HISTÓRICO EM FACE À DITADURA MILITAR NO CONTEXTO DAS UNIVERSIDADES EM O LUGAR MAIS SOMBRIO, DE MILTON HATOUM
items: O MOVIMENTO DA CIDADE: AS MÚLTIPLAS VOZES EM HOMBRES DE MAR, DE ÓSCAR COLCHADO LUCIO
items: A RELAÇÃO ENTRE EXÍLIO E O FORA NAS MISSIVAS DE CLARICE LISPECTOR
items: A TRANSPOSIÇÃO DO POEMA À CANÇÃO EM “POEMA DA MULHER SUJA”, DE ANGÉLICA FREITAS E VITOR RAMIL: COMPATIBILIDADES E OUTROS ESPAÇOS DE SÍNCRESE ENTRE TEXTO E CANÇÃO
items: EMANCIPAR A SUBJETIVIDADE: NOTAS SOBRE RECADO AO PARENTE, DE GUSTAVO CABOCO WAPICHANA
items: A ESCRITA DE MULHERES NEGRAS COMO UM DISPOSITIVO QUE TENSIONA E SUBVERTE A TEORIA LITERÁRIA
items: O EXÍLIO DA PESSOA NEGRA: UM DIÁLOGO ENTRE CONCEIÇÃO EVARISTO E TITUS KAPHAR
items: PAULO AUGUSTO E A POESIA HOMOERÓTICA: TRANSGRESSÃO E PIONEIRISMO EM FALO
items: HETERONOMIA E RESISTÊNCIA: POROSIDADE E EXTERIOR EM CERTA POESIA BRASILEIRA
items: DISCOURSE BY/ABOUT A DRIFT CHARACTER IN THE STORY “AMOR” BY CLARICE LISPECTOR
items: Entretien avec le Professeur Docteur Dominique Rabaté
items: SILVIANO-SAMUEL: OS CONTORNOS HÍBRIDOS ENTRE ESCRITOR, AUTOR E NARRADOR EM O FALSO MENTIROSO
items: BLACKING CRITICISM: THROUGH AN EXPERIENCE FROM THE OUTSIDE
items: EM PASSO DE TANGO NO CALOR CARIOCA: ERRÂNCIA E DESPERTENCIMENTO EM TODOS OS PECADOS DO MUNDO, DE NORBERTO PRESTA
items: DUAS VERSÕES DO FORA: DISTINÇÃO E DISSOLUÇÃO
items: QUANDO PATRÍCIA LINO RECICLA ANA HATHERLY: A NÃO ORIGINALIDADE PARÓDICA EM VARIAÇÕES SOBRE A SAUDADE (2021)
items: SOBRE LITERATURA MENOR: A ESCRITA DE DIAMELA ELTIT
items: ART / RESISTANCE – THE AESTHETIC EDUCATION IN SARAMAGO’S WORK
items: APRESENTAÇÃO

APRESENTAÇÃO - VOZES E RESISTÊNCIAS: DESVENDANDO IDEOLOGIAS DA LINGUAGEM E SUA ARTICULAÇÃO COM RAÇA, GÊNERO, SEXUALIDADE E CLASSE SOCIAL.
type: item
subject: Raça, Gênero, Sexualidade e Classe em Ideologias da Linguagem
  topic: section
creator: Cloris Porto Torquato
creator: Neiva Maria Jung
rights: Copyright (c) 2025 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2025-10-27
publication date: 2025-10-27

“I AM LIVING PROOF THAT IT WORKED”: ANALYSIS FROM A DIALOGIC PERSPECTIVE OF BOLSONARO’S SPEECH AT A PRESS CONFERENCE DURING THE PANDEMIC
type: item
description: Este artigo analisa um excerto do discurso de Jair Bolsonaro em uma coletiva de imprensa durante a pandemia de COVID-19, mobilizando, para tanto, o conceito de signo ideológico proposto pelo Círculo de Bakhtin. Com base na teoria dialógica de Bakhtin e Volóchinov, o estudo busca demonstrar como a linguagem reflete e refrata a realidade, influenciando a consciência social e servindo a interesses ideológicos. A análise sugere que os discursos nas coletivas de imprensa operam como arenas de luta de classes, nas quais a plurivalência dos signos é utilizada para construir narrativas que favorecem o governo, influenciam a opinião pública e legitimam decisões controversas. Conclui-se que a linguagem nas coletivas de imprensa é um campo de batalha ideológico, essencial para compreender o poder discursivo na política contemporânea. Palavras-chaves: Signo Ideológico. Refração. Discurso Político. Coletiva de Imprensa.
subject: Raça, Gênero, Sexualidade e Classe em Ideologias da Linguagem
  topic: section
creator: Eleticia Elza Carneiro Podolak Strukoski
creator: Cristiane Malinoski Pianaro Angelo
rights: Copyright (c) 2025 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2025-10-27
publication date: 2025-10-27

DE HOME GIRLS A WORLD GIRLS - A CASA DENTRO DE SI
type: item
description: Searching for metaphors in and for the literature produced by women has been one of the strands of feminist literary criticism which perceives the importance of seeing the literary production of women as a coherent set that builds unique social and cultural meanings and, in this way, enables a greater visibility for this literature, destabilizing the commonly association of authorship with masculinity. In this article, from the metaphor ‘home girls’ created to read the work of African American writers, we propose, within the literary field of South Africa, the metaphor ‘world girls’ to identify alternative representations for female identities in the literature produced by black South African authors emerging in the post-apartheid period, as well as to interpret the social function of their literary works. KEYWORDS: Feminist literary criticism; Black women’s literature; South Africa.
subject: Raça, Gênero, Sexualidade e Classe em Ideologias da Linguagem
  topic: section
creator: Joana D'Arc Martins Pupo
rights: Copyright (c) 2025 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2025-10-27
publication date: 2025-10-27

MASCULINIDADES NEGRAS HOMOSSEXUAIS EM NARRATIVAS AUTOBIOGRÁFICAS INTERSECCIONAIS
type: item
description: This article aims to uncover the subjective and social meanings of black homosexual masculinities that emerge from the autobiographical narratives of three members of the Coletivo Afrobixas in Brasília/DF. These narratives were part of a Master’s research published in the book titled Title (2020). The study and interpretation of the corpus are guided by phenomenological approaches (MOREIRA, 2004; RIBEIRO JÚNIOR, 2003) and theoretical-methodological principles on life stories and (auto)biographical narratives (JOSSO, 2004; CHIZZOTTI, 2011). The theoretical framework addresses discussions on the representations of masculinities arising from the intersectional construction (CRENSHAW, 1989) between the identity categories of blackness (MUNANGA, 2009) and homosexuality (LINS; MACHADO; ESCOURA, 2016). In this context, we offer new interpretative perspectives on the subject to understand the (re)signification that the participant narrators imprint on their experiences, especially regarding their belonging to the Afrobixas Collective and their critical reflection on socially hegemonic models and values established within this group. The selected autobiographical narratives seem to broaden the phenomenological understanding of how black homosexuals construct their masculinities, linked to issues of race, class, and sexual orientation, highlighting their racial identity in the face of other emerging aspects in their life stories. KEYWORDS: Blackness. Homosexuality. Intersectionality. Black masculinity(ies). Autobiographical narratives.
subject: Raça, Gênero, Sexualidade e Classe em Ideologias da Linguagem
  topic: section
creator: Pedro Ivo Silva
creator: Tatiana Nascimento
rights: Copyright (c) 2025 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2025-10-27
publication date: 2025-10-27

UMA ANÁLISE CRÍTICA DE LETRAS DE MÚSICAS FEMINISTAS
type: item
description: Within the contemporary cultural milieu, where discussions on gender dynamics and issues of equality take center stage, a fertile ground unfolds at the crossroads of music and activism. Through this perspective, this article embarks on a comprehensive and introspective examination of the lyrics embedded in a project rooted in feminism. Throughout this exploration, my objective extends beyond unraveling the superficial text, venturing into the profound realms of musical storytelling to comprehend how these melodic expressions transform into catalysts for female empowerment. Grounded in the belief that music is more than a mere artistic expression – it is both a reflection and an active sculptor of culture – my aim is to reveal the nuanced layers of meaning within the lyrics of these feminist songs, recognizing them as dynamic narratives resonating with the experiences, trials, and triumphs of women in the contemporary era.
subject: Raça, Gênero, Sexualidade e Classe em Ideologias da Linguagem
  topic: section
creator: Fernando Luís de Morais
rights: Copyright (c) 2025 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2025-10-27
publication date: 2025-10-27

L2 LEARNING APPLICATIONS AND THE ECONOMY OF LANGUAGES:
type: item
description: Dominant power systems originated from colonialism and perpetuated by globalization are reflected in language education through L2 learning apps. Linguistic ideologies shape the valuation of languages, turning them into commercial products. That impacts linguistic and cultural diversity, promoting social inequality by favoring major languages and marginalizing less spoken ones. This article on language learning apps and the economy of languages aims to analyze Duolingo. We investigate the influence of power structures, linguistic ideologies, and language commodification within language learning through the app. The selection of languages and the business model were examined, assessing whether the platform promotes linguistic and social diversity and inclusion through its teaching methods. It was found that, although Duolingo strives to promote racial-linguistic inclusion, its business model contributes to unequal learning opportunities. Additionally, the choice and prevalence of major languages reinforce the valuation of these languages and their speakers, intensifying the commodification of language.
subject: Raça, Gênero, Sexualidade e Classe em Ideologias da Linguagem
  topic: section
creator: Nívea Rohling
creator: Laura Catalina Peña Ramirez
rights: Copyright (c) 2025 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2025-10-27
publication date: 2025-10-27

GOVERNMENT DISCOURSES ON LAND DEMARCATION IN BRAZIL
type: item
description: This article examined the speeches produced during the government of Jair Messias Bolsonaro (hereinafter JMB), at the beginning of his term, focusing on the demarcation of lands for Brazilian indigenous people. The focus was on statements that mobilized actions that transferred the responsibility for demarcating lands from Funai to the Ministry of Agriculture, placing rural interests above indigenous agendas. The article also investigated the reactions of NGOs and indigenous people, specifically Apuí, Guarani Mbya Carijó and Mundurucus, who positioned themselves as voices of resistance and criticism of the necropolitical actions of the government sphere. The analysis mobilized Achille Mbembe's (2018) concept of necropolitics, which considers biopower in the decision about life and death, and the indexicality studies of Jan Blommaert (2010; 2014) and Michael Silverstein (2003) to explore how JMB's speeches reflect/refract authoritarian (Volóchinov, 2013) and violent ideologies. The results show that JMB used its sovereignty over unprotected bodies to favor a specific political group, justifying its actions in arguments based on economic development, while disregarding the rights and dignity of these people. Language was used to shape public perception and legitimize these actions, favoring economic exploitation over environmental preservation.
subject: Raça, Gênero, Sexualidade e Classe em Ideologias da Linguagem
  topic: section
creator: Nívea Rohling
creator: Maria de Lourdes Rossi
creator: Ketlyn Margoti
rights: Copyright (c) 2025 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2025-10-27
publication date: 2025-10-27

EXPEDIENTE E APRESENTAÇÃO DO DOSSIÊ (VOLUME 12, 2023)
type: item
description: Expediente.
subject: Thematic dossier: Criticism and literature from abroad: transits and refuges
  topic: section
rights: Copyright (c) 2024 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2024-02-23
publication date: 2024-02-23

Expediente Muitas Vozes v.11
type: item
description: Expediente do volume 11, 2022 da revista Muitas Vozes.
subject: Expediente
  topic: section
creator: admin sistema
rights: Copyright (c) 2023 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2023-12-14
publication date: 2023-12-14

THE LYRIC STAINED GLASS OF “AS MÃES DA SÍRIA”. ISABEL AGUIAR AND THE TRACES OF THE OUTSIDE.
type: item
description: In this essay, we analyse the work “As mães da Síria” (2017) by the poet Isabel Aguiar. This work was inspired by the paintings in the exhibition “O Tempo dos Sonhos”, by Mario Rita (2005). His poetic style addresses various relationships with the outside and rethinks the inbetween places and the ruins of a patriarchal world that reproduces the outcasts. His poetry thematizes and reverberates the traces of the outside in its most radical and political sense. With the help of Isabel Aguiar, we note that ruin is a paradoxical concept, like the presence of the outside. This brings us to Blanchot. According to Blanchot, the poet is always outside himself because “the poem is exile”.
subject: Thematic dossier: Criticism and literature from abroad: transits and refuges
  topic: section
creator: Daniel de Oliveira Gomes
rights: Copyright (c) 2024 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2024-02-23
publication date: 2024-02-23

O CONCEITO DE VIVER ENTRE LÍNGUAS A PARTIR DE UMA ANÁLISE DA OBRA KOSMOFONIA: MBYÁ-GUARANI
type: item
description: The work Kosmofonia: Mbyá-Guarani (2006), organized by Guillermo Sequera and Douglas Diegues, is a work that stands out for the quality of its anthropological analysis. The research carried out with the M'byá community along the Paraná River, however, is much more than a simple treatise about such an indigenous culture and its connection with the kósmos. The work explores a peculiar way of approaching the theme, mixing Portuguese, Spanish and Guarani, in what we can consider a “wild Portunhol”. Therefore, this article is based on studies by Benjamin (1967), Gasparini (2012), Jasinski (2021), Catonio (2018) and Molloy (2018), with the aim of analyzing the concept of “living between languages”, as well as relating the text to texts by other authors with a similar approach. This study corroborates the conception of a literary activity exclusive to border regions, in which languages are mixed and reflected in the art and culture of large regions.
subject: Thematic dossier: Criticism and literature from abroad: transits and refuges
  topic: section
creator: Tessio Stelmatchuk
creator: Edson Santos Silva
rights: Copyright (c) 2024 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2024-02-23
publication date: 2024-02-23

A MEMÓRIA E O TEMPO HISTÓRICO EM FACE À DITADURA MILITAR NO CONTEXTO DAS UNIVERSIDADES EM O LUGAR MAIS SOMBRIO, DE MILTON HATOUM
type: item
description: In the trilogy, The most sombre place, Hatoum innovates his narrative technique, when working with multiple spatio-temporal planes, where, above all, the voice of the character Martim extends, who, as he composes a historical-memorial archive, draws the sociopolitical scenario of one of the most troubled and oppressive periods in recent Brazilian history. In this, the present article intends, based on her elaborations, analysismeneutics of Ricoeur, as witnesses between historical and written testimony, which configure, through the bias of the narrative, an archival. We will also make use of the research by Motta (2014), on the context of universities in the military dictatorship, to interpret the artistic-cultural and intellectual actions developed by the young people with whom Martim has a relationship at two important universities, UnB and USP.
subject: Thematic dossier: Criticism and literature from abroad: transits and refuges
  topic: section
creator: Tatiana Prevedello
rights: Copyright (c) 2024 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2024-02-23
publication date: 2024-02-23

O MOVIMENTO DA CIDADE: AS MÚLTIPLAS VOZES EM HOMBRES DE MAR, DE ÓSCAR COLCHADO LUCIO
type: item
description: The subject of this article is Hombres de mar by Oscar Colchado Lucio, an Andean-Peruvian writer whose titled work focuses on the Chimbote region, a fishing area that saw its peak in the 1960s. The study focuses on the migratory process that involves the characters in circumstances that establish what writer Sylvia Molloy identifies as "living between languages," as the subjects are created in a space where the established Spanish language coexists and blends with the subordinated Quechua language; where the man from the mountains contends with the man from the coast; where, in the aesthetic context, Peruvian neo-indigenous literature gives way to Andean narrative; where the voice that narrates merges with the one that writes. The aim of this study is to reflect on the impact of this movement on the construction of identities, including authorial identities, guided by heterogeneity and hybridization (Cornejo Polar). By allowing these varied nuances to combine coastal urban life with Andean cosmology, Colchado Lucio architects Chimbote as an in-between place (Silviano Santiago), where the dock is both a character and a site for dialogue and the interface of languages and voices.
subject: Thematic dossier: Criticism and literature from abroad: transits and refuges
  topic: section
creator: Rosane Maria Cardoso
rights: Copyright (c) 2024 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2024-02-23
publication date: 2024-02-23

A RELAÇÃO ENTRE EXÍLIO E O FORA NAS MISSIVAS DE CLARICE LISPECTOR
type: item
description: This essay aimed to explore some excerpts from Clarice Lispector's personal correspondence with her sisters during the years she lived outside Brazil (1944 and 1959); based on the issue of exile. The theme of exile was directed towards ‘being outside’, either in terms of territorial uprooting or as a condition of existence. For that, we used the letters organized in the book Minhas Queridas (2007), compiled by the biographer Tereza Montero, in addition, we resorted to the theoretical contributions of Edward Said and Jean-Luc Nancy. We understand that to think of exile in Clarice is to think of it as one's own, not as a property, but as an opening to the world, as proximity in the distance; Clarice's personal experience and experience as a writer testify to language and existence as a foreigner and, at the same time, as an opening of being-in-the-world, which means movement of being. With that, the ‘being outside’ in addition to crossing the speeches, it can also be considered a ‘productive network’ not only for the writer's personal life, but for the richness of the context of her literature.
subject: Thematic dossier: Criticism and literature from abroad: transits and refuges
  topic: section
creator: Flavia Neves Ferreira
creator: Ana Claudia Andruchiw
rights: Copyright (c) 2024 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2024-02-23
publication date: 2024-02-23

A TRANSPOSIÇÃO DO POEMA À CANÇÃO EM “POEMA DA MULHER SUJA”, DE ANGÉLICA FREITAS E VITOR RAMIL: COMPATIBILIDADES E OUTROS ESPAÇOS DE SÍNCRESE ENTRE TEXTO E CANÇÃO
type: item
description: This article aims to analyze the extent to which traits of poetic language are compatible and incompatible with the musical language in the transposition of the poem to the song “poema da mulher suja” (2022), which has, as lyrics, the poem by Angélica Freitas of the same title, appropriated by Vitor Ramil, who, from this, produces the arrangement of the song with double authorship. In this sense, the investigation of compatibilities and incompatibilities in “poema da mulher suja”, by traversing the concepts of figurativization, passionalization and thematization suggested by Luiz Tatit in A canção: eficácia e encanto (1986), it exposes new associations between the linguistic and musical components, putting into question the notion of effectiveness of the song and, thus, the integral preservation of the aesthetic paradigm.
subject: Thematic dossier: Criticism and literature from abroad: transits and refuges
  topic: section
creator: Rafael Silva
creator: Bruna Farias Machado
rights: Copyright (c) 2024 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2024-02-23
publication date: 2024-02-23

EMANCIPAR A SUBJETIVIDADE: NOTAS SOBRE RECADO AO PARENTE, DE GUSTAVO CABOCO WAPICHANA
type: item
description: "Recado ao parente: fortificar nossos elos" (2020) is one of the works by Gustavo Caboco Wapichana, an indigenous multi-artist. As characteristic of the author's artistic endeavors, this piece is crafted using diverse languages - verbal, visual, and sonorous - and stands out for its poetic fertility and exploration of ethical, political, and vital themes pertaining to indigenous peoples' existence. One of the most thought-provoking aspects raised is the pressing need to cultivate unsubmissive and emancipated subjectivities. In essence, to exercise the vital power of creation (Rolnik, 2019), fostering subjective practices becomes imperative, with artistic and sensitive experiences emerging as particularly effective means for this purpose. Thus, to fully affirm life and avoid its numbing effects, the cultivation of affective-creative practices becomes indispensable, recognizing them as substantive nutrients to confront the "Colonial Coma" (Caboco, 2022).
subject: Thematic dossier: Criticism and literature from abroad: transits and refuges
  topic: section
creator: Thiago Alexandre Correa
rights: Copyright (c) 2024 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2024-02-23
publication date: 2024-02-23

A ESCRITA DE MULHERES NEGRAS COMO UM DISPOSITIVO QUE TENSIONA E SUBVERTE A TEORIA LITERÁRIA
type: item
description: <pre id="tw-target-text" class="tw-data-text tw-text-large JgzqYd RES9jf tw-ta" dir="ltr" style="max-height: 999999px; font-family: inherit; font-size: 24px; line-height: 28px; color: #202124; background-color: #f8f9fa; border: none; padding: 10px 0.14em 10px 0px; position: relative; margin: -10px 0px; resize: none; overflow: hidden; text-align: left; width: 400px; white-space: pre-wrap; overflow-wrap: break-word; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" data-placeholder="Tradução">The question regarding the definition of what constitutes or does not constitute a case of authorship in literary texts is a rather long debate that continues as a generator of great controversies. However, what can be seen is that such concepts were produced from a place of being able to settle down - intellectual, white and European men - despite not having their places of enunciation duly marked. Roland Barthes, as one of the great exponents working on the notions of authorship from a structuralist paradigm, argues that writing would rely on a supposed neutrality of language and the dissociation of the body and history of the one who writes, thus maintaining that the beginning of writing would be marked by the death of the author. Black women's writing openly denounces the impossibility of a language that proposes to be neutral, opening a powerful space for tensioning and questioning the canon and hoping for the construction of a decolonial, ethical, aesthetic and political paradigm.
subject: Thematic dossier: Criticism and literature from abroad: transits and refuges
  topic: section
creator: Amanda Franco
creator: Cláudia Caimi
rights: Copyright (c) 2024 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2024-02-23
publication date: 2024-02-23

O EXÍLIO DA PESSOA NEGRA: UM DIÁLOGO ENTRE CONCEIÇÃO EVARISTO E TITUS KAPHAR
type: item
description: This paper is dedicated to present an approach between literature and other arts, more specifically between the poetry of Conceição Evaristo and the paintings of Titus Kaphar. We focus our analysis on the poems "Vozes-mulheres" and "Certidão de óbito" by the Brazilian poet, and the paintings "A space to forget" and "From a tropical space" by the American painter. For this purpose, we conduct an analytical gesture from an exilic perspective, which we recognize as representing the condition of black individuals in American territories, strongly marked in the works of Conceição Evaristo and Kaphar, in a tone of denunciation. The analysis is supported by the studies of Said (2002), Nancy (1996), Pacheco (2022), Kilomba (2019), and Pollak (1992).
subject: Thematic dossier: Criticism and literature from abroad: transits and refuges
  topic: section
creator: Lucan Fernandes Moreno
creator: Leonardo Guisantes
creator: Marly Catarina Soares
rights: Copyright (c) 2024 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2024-02-23
publication date: 2024-02-23

PAULO AUGUSTO E A POESIA HOMOERÓTICA: TRANSGRESSÃO E PIONEIRISMO EM FALO
type: item
description: The 20th century was marked by the ascension of the social movements' reclamation of visibility over oppressed bodies. This change had extreme importance so these bodies could have the presence they have nowadays in different sectors. Making way, for instance, to their literature representations. However, In the Brazilian scene, queer literature's place is still uncertain and it's clear that many authors and texts stay at its borders. This way, through a work of rescue, this research offers to recover aspects from the work “Falo” (phallus), written by Paulo Augusto, Brazilian writer who published his first book during the 70's in an assertive, acid tone in the middle of a militar dictatorship. As theoretical reference, this research has names such as Judith Butler, Michel Foucault, Guacira Lopes Louro, Richard Miskolchi. In this context, using Queer Theory's aspects (as an example/base), this research went through three poems ("Avant-premiere", "Vae Victis" and "Estatuto"). Looking how these texts deal with subjects like social impositions of a gender, the repression over dissident bodies for a cisheteronormative standard of sex/gender and the marginal position these bodies. This way, this research intends to give visibility to an author who, although being a pioneer on homoerotic poetry's exploration, ended up being erased by critics.
subject: Thematic dossier: Criticism and literature from abroad: transits and refuges
  topic: section
creator: Karla Renata Mendes
creator: José Vinicius Dos Santos
rights: Copyright (c) 2024 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2024-02-23
publication date: 2024-02-23

HETERONOMIA E RESISTÊNCIA: POROSIDADE E EXTERIOR EM CERTA POESIA BRASILEIRA
type: item
description: Based on Florencia Garramuño's idea of heteronomy, this article analyses some contemporary brazilian poems and poets. According to my hipothesis, many of the latter make use of devices that underline poetry as a permeable kind of speech, depicting its (non-)identity not through a discourse of specificity or particularity. In doing so, part of brazilian contemporary poetry places itself in an expanded field that 1) abdicates any transcendence regarding other kinds of discoursive production in the social field and 2) reconceptualize the ideia of social critique, that henceforth cannot be legitimized from an exterior/transcendent position. Finally, in order to clarify such problems, I compare Garramuño's paradigm to Iumna Simon's understanding of the possible relations between literatura and politics.
subject: Thematic dossier: Criticism and literature from abroad: transits and refuges
  topic: section
creator: Mauricio Chamarelli Gutierrez
rights: Copyright (c) 2024 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2024-02-23
publication date: 2024-02-23

DISCOURSE BY/ABOUT A DRIFT CHARACTER IN THE STORY “AMOR” BY CLARICE LISPECTOR
type: item
description: Silencing, invisibility, inferiority, standardization of bodies and behaviors are words that cross and constitute the discourses that have traced the history of women, who have always been subjectivized by historically engendered truths. Truths that argue from their body, their sexuality, their way of being and living in the world. In this context, there is Ana, the female protagonist of Clarice Lispector's short story "Amor", who, at a certain moment in her story, goes through an epiphany, being adrift, that is, on the threshold of the new world that presents itself before her. Thus, this article aims to shed light on this woman, summoning, on the one hand, Foucauldian Discursive Studies, notably the concepts of discourse, subject and truth as proposed by Michel Foucault; on the other hand, and in addition, the perspective of literature outside itself, based on the discussions of Natalia Brizuela and Florencia Garramuño, in order to bring together the reflections around a transgressive body that leads us to consider the limits, means and extremes present since the endo f the 1960s, resulting in a literature called by Brizuela as "conceptual". The analysis points to other possible ways to read contemporary literature, especially writing undertaken by women.
subject: Thematic dossier: Criticism and literature from abroad: transits and refuges
  topic: section
creator: Thaise Maria Armelin Elias
creator: Nathalia Santos Camargo
creator: Denise Gabriel Witzel
rights: Copyright (c) 2024 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2024-02-23
publication date: 2024-02-23

Entretien avec le Professeur Docteur Dominique Rabaté
type: item
description: O ensaísta, crítico e professor de literatura francesa moderna e contemporânea na Université Paris VII, Dominique Rabaté, nos concedeu no ano de 2019 essa pequena entrevista que teve como temas o seu livro Désirs de disparaître. Une traversée du roman français contemporain (2015) e La Passion de l'impossible. Une histoire du récit au xxe siècle (2018); o curso que ministrava na Paris VI na ocasião; e por fim, ainda nos ofertou uma reflexão delineadora do papel do professor e do campo dos Estudos Literários nos dias de hoje.
subject: Documentos
  topic: section
creator: Keli Cristina Pacheco
creator: André Cechinel
rights: Copyright (c) 2024 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2024-02-23
publication date: 2024-02-23

SILVIANO-SAMUEL: OS CONTORNOS HÍBRIDOS ENTRE ESCRITOR, AUTOR E NARRADOR EM O FALSO MENTIROSO
type: item
description: The tensions between fiction and non-fiction have become more visible in 21st century’s brazilian narratives, allowing for discussion about the factual nature of the events being narrated. Drawing on this debate, we propose a critical-interpretive analysis of Silviano Santiago’s work O falso mentiroso (2004) and its composition as a novel that simulates an autobiography. Specifically, we identify and discuss the contours among the elasticity of contemporary novelistc language, primarily driven by a memorialistic return. We highlight certain references that underpin our discussion: a) the structural definitions of autofiction by Martin (2014), Nogueira (2018) and Santiago (2018); b) contemporary literary theories by Hutcheon (1992), Ginzburg (2012), and Fuks (2016; 2017); c) ideas about the category of memory proposed by Seligmann-Silva (2002) and Sarlo (2007). In the conclusions, we emphasize the condition of a hybrid character in the work, on the verge of a new fiction constructed through the pact of ambiguity in the narration of a subject who, fragmented by trauma, invents their origin through novelict creation.
subject: Thematic dossier: Criticism and literature from abroad: transits and refuges
  topic: section
creator: Renildo Medeiros
creator: Juliane Vargas Welter
rights: Copyright (c) 2024 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2024-02-23
publication date: 2024-02-23

BLACKING CRITICISM: THROUGH AN EXPERIENCE FROM THE OUTSIDE
type: item
description: The proposed article has as its central objective to blacken literary criticism and, along with it, the experience of the outside. For this movement, it is necessary to decolonize the “outside” as it was thought in Western, Eurocentric molds and to decolonize criticism, which is white, cis and heterosexual. As theoretical-epistemological contributions, we will bring the black literature of Conceição Evaristo (1996) and black feminism to tension canonical criticism, the authorized discourse of white supremacy, imperial and patriarchal. We will take the risk and think of the crossroads as an experience of the outside or as a machinic-political agency of the black people. We will propose lines of escapes, transits and displacements necessary to expand the semantics of criticism and legitimize the critical look, so that we, black subjects, can think about literary criticism and our multiple processes of subjectivation. One of the expected and expected results is that we, as black people, need to raise our voices so that our story can be told by black hands. Finally, it is concluded that we need to tension this criticism that originated from a discursive authorization regime, to potentiate new experiences from the outside and new processes of subjectivation, starting from ourselves, having black literature as our powerful crossroads of struggle and emancipation.
subject: Thematic dossier: Criticism and literature from abroad: transits and refuges
  topic: section
creator: Paulo Petronilio
rights: Copyright (c) 2024 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2024-02-23
publication date: 2024-02-23

EM PASSO DE TANGO NO CALOR CARIOCA: ERRÂNCIA E DESPERTENCIMENTO EM TODOS OS PECADOS DO MUNDO, DE NORBERTO PRESTA
type: item
description: Inserted in the debate on the manifestations of the “Thought of outside” in the context of contemporary Latin American literature, I propose a reading of the wandering movements of the character Manuel, of Argentine origin, through Rio de Janeiro in Todos os pecados do mundo: a carioca novel. I take, as principles, the concept of “foreigner”, by Néstor Canclini (2016) and Julia Kristeva (1994) to analyze the deterritorialized identity of the protagonist of the plot. Manuel's strangeness, understood basically through his way of walking and his peculiar attempts to root himself in the city, allows to conclude that he inhabits an in-between place between cultures that conforms the symbolic representation of the lack of belonging. I also allude to the nature of the outside present in the constitutive transit of the novel, as a fiction, with autofictional or alterfictional forms, as proposed by Evandro Nascimento (2017), and between the status of fiction and the testimony of the world, according to the understanding of Julián Fuks (2017).
subject: Thematic dossier: Criticism and literature from abroad: transits and refuges
  topic: section
creator: Luciana Paiva Coronel
rights: Copyright (c) 2024 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2024-02-23
publication date: 2024-02-23

DUAS VERSÕES DO FORA: DISTINÇÃO E DISSOLUÇÃO
type: item
description: In the linguistic turn of the 19th and 20th centuries, which questions the alleged neutrality of language, the outside was a strategy employed by certain thinkers, especially German and French ones, to escape the positivism of knowledge discourses. As a critical gesture towards modernity, this reflective position does not assert something, but unfolds discourses infinitely, even denying some of the most cherished elements of modern literature such as the authorship and the work of art. This permeates authors like Novalis, Friedrich Nietzsche, Martin Heidegger, Georges Bataille, Roland Barthes, Michel Foucault, and Maurice Blanchot. Focusing on the last one, especially his book "The Infinite Conversation" (1969), this paper discusses how the thought of the outside takes shape in two chronotopes, the 1800s and the 1970s, highlighting its influence on the respective understandings of literature. Finally, it reflects on its manifestation in contemporary Brazilian literature, in particular Hilda Hilst’s and Juliano Garcia Pessanha’s fiction.
subject: Thematic dossier: Criticism and literature from abroad: transits and refuges
  topic: section
creator: Suelen Ariane Campiolo Trevizan
rights: Copyright (c) 2024 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2024-02-23
publication date: 2024-02-23

QUANDO PATRÍCIA LINO RECICLA ANA HATHERLY: A NÃO ORIGINALIDADE PARÓDICA EM VARIAÇÕES SOBRE A SAUDADE (2021)
type: item
description: O presente artigo pretende analisar a "Variação XVIII, Ana", publicada na antologia Variações sobre a Saudade (2023), de Patrícia Lino, a partir de, principalmente, as perspectivas de literatura não original e de paródia propostas, respectivamente, por Marjorie Perloff (2013) e Linda Hutcheon (1985). Dessa forma, entende-se que a "Variação XVIII, Ana", ao variar o poema "O Terceiro Corvo", de Ana Hatherly, faz uma paródia não original desta produção, visto que Lino, ainda que reconheça o legado da PO.EX e dele se aproprie, corrige-o moralmente, intervindo no poema.
subject: Thematic dossier: Criticism and literature from abroad: transits and refuges
  topic: section
creator: Bianca Raupp Mayer
creator: Rita Lenira de Freitas Bittencourt
rights: Copyright (c) 2024 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2024-02-23
publication date: 2024-02-23

SOBRE LITERATURA MENOR: A ESCRITA DE DIAMELA ELTIT
type: item
description: For a long time, the literary canon dictated the rules within literature, space that was mostly occupied by white men. From Cultural Studies, it has been possible to make room for literatures written by another part of the population, such as women, and so we can now study the writing of Diamela Eltit. The author writes about marginalized minorities from the point of view of someone who lived through the dictatorship of Chile being part of a collective that acted strongly against the dictatorial period, having written and published her first novel at that time. From this, we will talk about the writing of Diamela Eltit and about how it inserts itself into the literary world as a minor literature, from authors such as Deleuze and Guattari (1975) and Lértora (1993), so that it is possible to analyze how Diamela's literature fits into this concept of minor literature and how the markers of her writing coincide with the characteristics of the minor literatures. We understand, finally, that the markers of Diamela's writing characterize her as an author of minor literature, and that writing about these topics covered in this type of literature are fundamental for the formation of the subject.
subject: Thematic dossier: Criticism and literature from abroad: transits and refuges
  topic: section
creator: Mariana de Almeida
creator: Nincia Cecilia Ribas Borges Teixeira
creator: Leticia
rights: Copyright (c) 2024 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2024-02-23
publication date: 2024-02-23

ART / RESISTANCE – THE AESTHETIC EDUCATION IN SARAMAGO’S WORK
type: item
description: ABSTRACT: From Manual de Pintura e Caligrafia (1977) onwards Saramago proposes an aesthetic education towards resistance, similar to Peter Weiss in Ästhetik des Widerstands (1975–81). In dialogue with distinct works of Art, both authors redefine the aesthetic perception of the horrors of human civilization, as opposed to the horror’s sublimation in the Enlightenment. In the case of Saramago, the question of the pathetic appears in O ano da morte de Ricardo Reis (1984) and leads, a decade later, to the radical denial of the sublimation of horror in O Ensaio sobre a Cegueira (1995). Keywords: aesthetics of resistance. sublimation of horror. José Saramago. Peter Weiss.
subject: Artigos
  topic: section
creator: Orlando Grossegesse
rights: Copyright (c) 2022 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2022-12-13
publication date: 2022-12-13

APRESENTAÇÃO
type: item
description: Apresentação para o dossiê "Escrever o século XIX".
subject: Dossiê Escrever o século XIX
  topic: section
rights: Copyright (c) 2023 Muitas Vozes https://creativecommons.org/licenses/by/4.0
date: 2023-02-08
publication date: 2023-02-08