A photogenic bronze on square

Carlos Gomes by João Turin

Authors

DOI:

https://doi.org/10.5935/2177-6644.20210017

Abstract

This article is about the meanings that permeate the invention of pedagogical memories and political narratives in the photographic reproductions of the bust of Carlos Gomes, made photogenically by João Turin. It takes support on visual sources to study the appropriations of sculptural language by the technical image, as well as the theoretical-methodological thoughts of Crary, Henisch and Miceli.

Author Biography

  • Larissa Guedes Busnardo (UFPR), Universidade Federal do Paraná - UFPR

    Doutoranda em História na Universidade Federal do Paraná, UFPR. Bolsista CNPq. Mestra em História pela Universidade Federal do Paraná, UFPR (2018). Especialista em História Cultural pela UTP (2015). Associada à ANPUH-PR e estudante integrante dos grupos de pesquisa AMENA - Arte, Memória e Narrativa (UFPR) e NAVIS - Núcleo de Artes Visuais (UNESPAR). Professora licenciada em Artes Visuais pela Universidade Estadual do Paraná, UNESPAR/FAP (2013). Atua como artista, professora e pesquisadora.

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Published

2021-12-01

Issue

Vol. 12 No. 2 (2021): Descosturando as tramas do dia-dia: reflexões sobre a vida cotidiana na História

Section

Dossiê | Special Issue | Dossier

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