Japan and Post Tenebras Lux , by Carlos Reygadas: Esttilistic Suma

Authors

  • Sebastião Guilherme Albano Universidade Estadual de Ponta Grossa

DOI:

https://doi.org/10.5212/RIF.v.18.i40.0014

Abstract

This article aims at point out a range of style within the Mexican director Carlos Reygadas' films, namely Japón (2002) and Post tenebras lux (2012). We highlight the modes stylistic constants, such as the taste for inland stories, the equivalence between power and violence among subalterns characters, the alcoholism, the tragic expedient, circularities, and so on. As theoretical support we read Fredric Jameson (1982), Fausto Colombo (1986), Fiedrich Nietzsche (1992), and Pierre Bourdieu (2015). Suma; Style; History; Unconscious; Violency.

Author Biography

Sebastião Guilherme Albano, Universidade Estadual de Ponta Grossa

Professor Dr. da Universidade Federal do Rio Grande do Norte (UFRN). É mestre em Letras Latinoamericanas pela Universidad Nacional Autónoma de México (UNAM), doutor em Comunicação pela Universidade de Brasília (UnB) e pós-doutor na UNAM e na University of Texas (Austin).

Published

2020-06-24

How to Cite

ALBANO, S. G. Japan and Post Tenebras Lux , by Carlos Reygadas: Esttilistic Suma. Revista Internacional de Folkcomunicação, [S. l.], v. 18, n. 40, p. 234–246, 2020. DOI: 10.5212/RIF.v.18.i40.0014. Disponível em: https://revistas.uepg.br/index.php/folkcom/article/view/19264. Acesso em: 24 nov. 2024.