African descendencies in Iberian troubadourism
DOI:
https://doi.org/10.5212/PraxEduc.v.17.19385.080Abstract
From bibliographical research, with decolonial theoretical basis, it is sought to understand, in this paper, the emergence of the Troubadourism in Europe, specifically in the Iberian Peninsula, from intercontinental cultural relations, with emphasis on African Arabs, despite the artistic manifestations at the time having ignored the presence of Africanities that contributed to the poetic orality. Therefore, the objective is to verify the presence of African descendencies in the Iberian Troubadourism. The undestanding of Troubadourism is historically defined in four theories: Middle Latin, liturgical, folkloric and Arabic (LAPA, 1973; SPINA, 1972). In general terms, the reflections of Canclini (2000), Glissant (2005) and Moore (2012) in the analysis of the text reveal the cultural intersections, called classic, popular and massive, taking into account that such definitions are not rigidly separated blocks, but rather borders among countries with different geography and customs in their territories. However, at certain times they share the same flowers, despite dividing them in their borders, and an epistemological racism that denied the African descendencies in their manifestations.
Keywords: African descendency. Iberian Troubadourism. Poetic orality.
Published
Issue
Section
License
Copyright (c) 2022 Práxis Educativa
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish in this journal agree with the following terms:
a) Authors keep the copyrights and concede the right of its first publication to the magazine. The work piece must be simultaneously licensed on the Creative Commons Attribution License which allows the paper sharing, and preserves both the author identity and the right of first publication to this magazine.
b) Authors are authorized to assume additional contracts separately, to not-exclusively distribution of the paper version published in this magazine (e.g.: publish in institutional repository or as a book chapter), with the author identity recognition and its first publication in this magazine.
c) Authors are permitted and stimulated to publish and distribute their papers online (e.g.: in institutional repository or on their personal webpage), considering it can generate productive alterations, as well as increase the impact and the quotations of the published paper.
d) This journal provides public access to all its content, as this allows a greater visibility and reach of published articles and reviews. For more information on this approach, visit the Public Knowledge Project, a project that developed this system to improve the academic and public quality of the research, distributing OJS as well as other software to support the publication system of public access to academic sources.
e) The names and e-mail addresses on this site will be used exclusively for the purposes of the journal and are not available for other purposes.
This work is licensed under a Creative Commons Attribution 4.0 International License.
