EMULATION AND INTERTEXTUALITY IN PARA AONDE MARCHA O BRASIL? (1978), BY FERNANDES BARBOSA
Abstract
This article analyzes the work Para aonde marcha o Brasil? by Fernandes Barbosa, published in 1978, during the period of the civil - military dictatorship in Brazil (1964-1985). It is a work of answers to the satirical poetry of Bishop Dom Pedro Casaldáliga, read and reread by Fernandes Barbosa in two publications: Tierra nuestra, liberdad, e Yo creo en la justicia y en la esperanza. Our analysis was based on Comparative Literature and was guided by the concepts of emulation and intertextuality. The objective of this work was to analyze the identity representations in Para aonde marcha o Brasil? (1978) stage a discursive game of representation of the “lyrical selves”, Fernandes Barbosa and João do Adro, in the hybrid voices that make up the textual set of the work.
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