SYNTHOMAS OF POETRY AND LUDISM IN CHILDHOOD
Abstract
The present work is justified by weaving a study about the poems of Climério Ferreira (1979) and Martins Napoleão (1903-1981), omitted in the context of literary studies of Piauí, while collaborating with the children’s poetry, which also goes through the same process of erasure. Thus, it aimed to conduct the analysis of the selected poems based on the playfulness that in contact with the child contributes directly to the creative development and the process of composing the inner world, from the conception of Kirinus (2011) correlated with Huizinga (2001), among other names, as a theoretical reference. Thus, from the understanding of playfulness of the authors, it could be gauged, therefore, that poets stimulate the poetic effects/synthomas in childhood through the rhythm of rhythms, playfulness and magic, which tune the development of world perceptions, important for critical formation and for the approximation of the child with the poem.
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