THE MULTIPLE VOICES IN CONCEIÇÃO EVARISTO’S INSUBMISSAS LÁGRIMAS DE MULHERES
Abstract
This work has two interlinked objectives: to discuss the visibility of Conceição Evaristo’s works, considering the literary field as a space of power, as defined by Bourdieu (1996), and build a discursive approach of Insubmissas Lágrimas de Mulheres, based on the notions of plurilingualism and hybridization, treated by Bakhtin (2010). Thus, the analyzes of four characters from four different tales of the book are presented, taking them as examples of the multiplicity of social voices, of discourses that circulate in society and that can be found in the Conceição Evaristo’s book. From this work of analysis results the reflection that the discursive approach allows showing the importance of the author’s entry in the disputes inherent to the literary field.
Downloads
Published
Issue
Section
License
Authors that publish in the journal agree with the following terms:
a) The authors keep the copyright and grant to the journal the rights of the first publication, with the work simultaneously being licensed under the Creative Commons Attribution License that allows the sharing of the work with the recognition both of the authorship and the initial publication in this journal.
b) This journal provides immediate public access to all of its content, following the principle that making scientific knowledge freely available to the public provides greater worldwide democratization of knowledge. For more information about this approach, visit Public Knowledge Project, a Project that developed this system to improve the academic and public quality of research, distributing OJS as well as other softwares to support the publication system to public/open access to academic sources. Names and e-mail addresses in this website will be used exclusively for this journal purposes, not being available for other ends.
This work is licensed under a Creative Commons Attribution 4.0 International License.
