ANTHROPHOGICAL MOVEMENTS BETWEEN MPB AND DANCE: POSSIBLE INTERTEXTUAL RELATIONS
Abstract
This article aims to investigate intertextual studies and their possibilities for articulation between different materialities. For that, it uses the concept of Anthropophagy (1928), coming from the Anthropophagic movement, led by the literary Oswald de Andrade in the first generation of Brazilian Modernism. The intention is that this concept will be able to mediate and make possible approximations between MPB, as a literary object, and the German dance-theater of Wuppertal TanzTheater, founded by the dancer/ choreographer Pina Bausch, when subsidized by literary contribution of Carvalhal (1991). The investigated corpus is the Brazilian popular music used in the shows of the company, corroborating in its diverse dance creations, we seek to investigate the intersection between them, both to complex the categories of understanding, and to expand the dialogical possibilities between the different areas.
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