NA CORDA BAMBA
DOI:
https://doi.org/10.5212/uniletras.v23i1.215Abstract
Este artigo tem por objetivo examinar a tragédia euripidiana Alceste, sua ambigüidade preciosa, sua atualidade e seu significado hoje. Nossa leitura é feita através da impossibilidade de se distinguir de forma preciosa o seu gênero, se trágico, tragicômico ou se satírico. A análise se faz também através da reflexão de uma possível comparação entre Alceste e o filme de Paul Weiland, Roseanne.
Palavras-chave: Tragédia, Eurípides, sofistica, morte, amor.
Ce travail a pour but d’examiner la tragédie euripidienne Alcestis, son ambiguité précieuse, son actualité et sa signification aujourd’hui. Notre lecture est construite à partir de l’impossibilité de distinguer precisément son genre, si tragique, si tragi-comique ou si satyrique. L’analyse se fait aussi à travers la réflexion d’une possibilite de comparasion entre l’Alcestis et le filme de Paul Weiland, Roseanne.
Motes-clé: Tragédie, Euripide, sophistique, mort, amour.
Downloads
Published
Issue
Section
License
Authors that publish in the journal agree with the following terms:
a) The authors keep the copyright and grant to the journal the rights of the first publication, with the work simultaneously being licensed under the Creative Commons Attribution License that allows the sharing of the work with the recognition both of the authorship and the initial publication in this journal.
b) This journal provides immediate public access to all of its content, following the principle that making scientific knowledge freely available to the public provides greater worldwide democratization of knowledge. For more information about this approach, visit Public Knowledge Project, a Project that developed this system to improve the academic and public quality of research, distributing OJS as well as other softwares to support the publication system to public/open access to academic sources. Names and e-mail addresses in this website will be used exclusively for this journal purposes, not being available for other ends.
This work is licensed under a Creative Commons Attribution 4.0 International License.
