Bartleby no cinema: corpo espectral e tecnologia da imagem
DOI:
https://doi.org/10.5212/uniletras.v34i1.4621Keywords:
Literatura. Cinema. Imagem. Bartleby. Melville.Abstract
A partir da leitura de “Bartleby, the Scrivener – a story of Wall Street”, conto do escritor norte-americano Herman Melville (1817-1891), do levantamento de suas montagens, para cinema e TV, e da análise de uma delas, de 2001, este artigo pretende refletir brevemente sobre a cena contemporânea, considerando algumas teorias da imagem e os impasses de passagem da literatura ao cinema.
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