THE ROLE OF LANGUAGE AS AN APPARATUS OF CONTROL AND AS A CENTRIFUGAL FORCE OF RESISTANCE IN THE HANDMAID’S TALE AND THE TESTAMENTS BY MARGARET ATWOOD
Abstract
The Handmaid’s Tale (1985) and The Testaments (2019) by Margaret Atwood depict the Republic of Gilead, a regime that rigidly controls the population, mainly women. The restriction of language, both spoken and written, is used as an apparatus of control. However, the respective protagonists – Offred and Aunt Lydia – employ language as a centrifugal force of resistance by documenting the violence they endured. This study aims to comparatively analyze the narratives to understand how language functions as both an apparatus of control and a centrifugal force of resistance. We also aim to reflect on the social roles of Handmaids and Aunts and the range and/ or lack of power granted to them. The study is supported by Mikhail Bakhtin’s concepts, such as centripetal and centrifugal forces in discourse and Michel Foucault’s concept of apparatus.
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