The framed Rose
non-normative lives in the Litonovela of Raul Cruz
DOI:
https://doi.org/10.5935/2177-6644.20210023Abstract
In an initial analysis of Litonovela by Curitiban artist Raul Cruz, this article aims to discuss the possibility of The Rose, a sequence of lithogravure produced in the 1980s, being understood as “a testimony of his time”, according to Didier Quella-Guyot’s perspective to observe comics. To do so, I rely on Judith Butler's theories about framing as a preservation mechanism of certain ways of life at the expense of others. Furthermore, I adopt the author's studies regarding the performativity of gender, sexuality and identity.
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