Through the lens of photography, a silence:
urban views and public space in Natal (1902-1920)
DOI:
https://doi.org/10.5935/2177-6644.20250015Abstract
This article aims to understand how photographic production in Natal enhanced urban transformations and conventionalized social codes in that space. The time frame refers to the taking of the first architectural photographs by Bruno Bougard, hired by the then governor Augusto Tavares de Lyra, until the consolidation of the professional photography profession in the 1920s. To this end, iconographic analyses were developed mediated by the airtable platform, in a way that was articulated with the problematization of the gaps in the investigation of visual historical testimonies.
Downloads
Metrics
Downloads
Published
Issue
Section
License
Copyright (c) 2025 TEL Tempo, Espaço e Linguagem

This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors are authorized to accept additional contracts separately, for the non-exclusive distribution of the version of the work published by this journal (ex.: to publish in institutional repository or as a chapter in a book), acknowledging authorship and the initial publication by this journal.
