Live and sound city of the land of Guairacá: sound experimentation on the history of Curitiba with children at the Art Biennial
Main Article Content
Abstract
In this text, we report the experience with the artistic proposal "Living and sounding city of the land of Guairacá", carried out with 5th grade students from a municipal school and presented at the IV Art/Education Biennial of the Municipal Department of Education of Curitiba in the second half of 2019. The main objective of the proposal was to articulate the theme established by the Biennial - "Art and Life: open borders" - with the content taught in other curriculum components, such as history and geography. We imagined the possibility of starting from the reality lived by the students to poetically act across borders not only geographic (city of Curitiba), but temporal (19th century), with the creation and capture of soundscapes produced by the students, using different sound materials, later edited, whose result is characterized as a contemporary music composition, relying especially on Schafer (1991 and 2001), Zagonel (1999 and 2007), Torres and Kozel (2019).
Metrics
Article Details
Authors who publish in this journal agree with the following terms:
a) Authors keep the copyrights and concede the right of its first publication to the magazine. The work piece must be simultaneously licensed on the Creative Commons Attribution License which allows the paper sharing, and preserves both the author identity and the right of first publication to this magazine.
b) Authors are authorized to assume additional contracts separately, to not-exclusively distribution of the paper version published in this magazine (e.g.: publish in institutional repository or as a book chapter), with the author identity recognition and its first publication in this magazine.
c) Authors are permitted and stimulated to publish and distribute their papers online (e.g.: in institutional repository or on their personal webpage), considering it can generate productive alterations, as well as increase the impact and the quotations of the published paper.
d) This journal provides public access to all its content, as this allows a greater visibility and reach of published articles and reviews. For more information on this approach, visit the Public Knowledge Project, a project that developed this system to improve the academic and public quality of the research, distributing OJS as well as other software to support the publication system of public access to academic sources.
e) The names and e-mail addresses on this site will be used exclusively for the purposes of the journal and are not available for other purposes.
This work is licensed under a Creative Commons Attribution 4.0 International License.
References
BRASIL. Ministério da Educação. Base Nacional Comum Curricular (BNCC): educação é a base. Brasília, MEC/CONSED/UNDIME, 2017. Disponível em: http://basenacionalcomum.mec.gov.br/images/BNCC_EI_EF_110518_versaofinal_site.pdf Acesso em: 29 jun. 2019.
CURITIBA, Secretaria Municipal da Educação. Arte e Vida: fronteiras em aberto. Bienal de Arte/Educação da SME. Curitiba: Heyzine Flipbooks, 2020. Disponível em: https://heyzine.com/flip-book/bd36e2f73a.html Acesso em: 09 fev. 2021.
CURITIBA, Secretaria Municipal da Educação. Caderno Pedagógico de Unidades Curriculares de Transição 2020 – 2021: arte – anos iniciais. Curitiba: SME, 2021. Disponível em: https://mid-educacao.curitiba.pr.gov.br/2021/2/pdf/00284611.pdf Acesso em: 12 fev. 2021.
OLIVEIRA, L. F. A Emergência do Significado em Música. 264 f. Tese (Doutorado em Música), Universidade Estadual de Campinas, Campinas, 2010. Disponível em: http://repositorio.unicamp.br/bitstream/REPOSIP/283929/1/Oliveira_LuisFelipe_D.pdf Acesso em: 11 fev. 2021.
SANTOS, F. C. dos. A Paisagem Sonora, a Criança e a Cidade: exercícios de escuta e de composição para uma ampliação da ideia de música. 2006. Tese (Doutorado em Música). Universidade Estadual de Campinas, Campinas, 2006. Disponível em: http://repositorio.unicamp.br/bitstream/REPOSIP/284331/1/Santos_FatimaCarneirodos_D.pdf Acesso em: 11 fev. 2021.
SCHAFER, R. M. A Afinação do Mundo: uma exploração pioneira pela história passada e pelo atual estado do mais negligenciado aspecto do nosso ambiente: a paisagem sonora. Tradução de Maria Trench de O. Fonterrada. São Paulo: Editora Unesp, 2001. Disponível em: https://monoskop.org/images/9/93/Schafer_R_Murray_A_afinacao_do_mundo.pdf Acesso em: 12 fev. 2021.
SCHAFER, R. M. O Ouvido Pensante. Tradução de Maria Trench de O. Fonterrada; Magda R. Gomes da Silva; Maria Lúcia Pascoal. São Paulo: Fundação Editora da UNESP, 1991. Disponível em: https://monoskop.org/images/2/21/Schafer_R_Murray_O_ouvido_pensante.pdf Acesso em: 12 fev. 2021.
SOUZA LIMA BLOG. O Que é Música de Câmara? Souza Lima Blog. Curitiba, 26. fev. 2019. Disponível em: https://souzalima.com.br/blog/o-que-e-musica-de-camara/ Acesso em: 12 fev. 2021.
TOFFOLO, R. B. G.; OLIVEIRA, L. F; ZAMPRONHA, E. S. Paisagem Sonora: uma proposta de análise. In: 14º Encontro da ANPPOM, 2003, Porto Alegre. Anais [...] Porto Alegre: ANPPOM, 2003. Disponível em: http://cogprints.org/3000/1/TOFFOLO_OLIVEIRA_ZAMPRA2003.pdf Acesso em: 11 fev. 2021.
TORRES, M. A.; KOZEL, S. Paisagens Sonoras: possíveis caminhos aos estudos culturais em geografia – Soundscapes: possible ways to study in cultural geography. R. RA´E GA, Curitiba, n. 20, p. 123-132, 2010. Disponível em: https://revistas.ufpr.br/raega/article/view/20616/13762 Acesso em: 29 jun. 2019. DOI: https://doi.org/10.5380/raega.v20i0.20616
ZAGONEL, B. Descobrindo a Música Contemporânea. In: Arte Contemporânea em Questão. Joinville, SC: UNIVILLE/Instituto Schwanke, 2007. Disponível em: https://www.bernadetezagonel.com.br/ASSETS/pdf/Descobrindo-a-Musica-Contemporanea.pdf Acesso em: 29 jun. 2019.
ZAGONEL, B. Em Direção a um Ensino Contemporâneo de Música. Revista Ictus, Salvador: UFBA, v.1, p. 1-15, 1999. Disponível em: https://periodicos.ufba.br/index.php/ictus/article/view/34196 Acesso em: 09 fev. 2021.